En
  • دکتری (1374)

    آفرینش های هنری

    ولن گنگ، ولن گنگ، استرالیا

  • کارشناسی‌ارشد (1370)

    آفرینشهای هنری در نقاشی

    ولن گنگ، ولن گنگ، استرالیا

  • کارشناسی (1367)

    نقاشی

    دانشگاه تهران، تهران، ایران

  • هنرهای اسلامی
  • نقاشی ایران

    داده ای یافت نشد

    ارتباط

    رزومه

    A reading of a coffee house painting based on the concept of conversation in Gadamer's modern hermeneutic theory

    E Taherian, A Fahimifar, MK Hassanvand
    Journal Papers , , {Pages }

    Abstract

    Explaining the Corner and Medallion Carpet Design with Animal's Combat and Hunting Scenes Held in the Miho Muesum, Kyoto, Japan …

    MK Hassanvand, A Piri
    Journal Papers , , {Pages }

    Abstract

    The Stylistic Similarities in Royal and Folk Portraits of Qajar Painting

    Alireza Baharloo, Mohammad Kazem Hassanvand, Mohamad Khazaei
    Journal PapersHonar-Ha-Ye-Ziba: Honar-Ha-Ye-Tajassomi , Volume 25 , Issue 1, 2020 May 21, {Pages 25-36 }

    Abstract

    The human figure has been a common subject of visual arts. Many cultures represent human figures in different ways, giving rise to objects that have been made using a huge variety of materials and manufacturing techniques. Some figures appear in realistic execution and others in stylized or abstract one. Comparing objects made by different artists of the same culture reveals how figurative art often reflects cultural influences. People of different cultures choose to portray the human body in different ways. Such figures often exhibit not only different styles but also different poses. The posture of a figure or its stylized presentation may mean something significant to people of a particular culture, or it may reflect the personal prefere

    Explaining the place and function of “personification” in Persian poetry and miniature

    MK Hassanvand, Z Rajabi
    Journal Papers , , {Pages }

    Abstract

    Reading Hossein Behzad's miniature painting According to Modern Gadamer's Hermeneutic Theory

    ELHAM Taherian, Mohammad Kazem Hassanvand
    Journal PapersHonar-Ha-Ye-Ziba: Honar-Ha-Ye-Tajassomi , Volume 24 , Issue 1, 2019 March 21, {Pages 49-58 }

    Abstract

    In contemporary times, due to social-cultural conditions and the idea of modernity and reflection of Western culture and art, Iranian painters refer to past painting so that revive Islamic Iranian identity and culture. Hossein Behzad is as the most significant contemporary painter of this period of time. This research which aims at study Hossein Behzad's miniature painting in contemporary times, using Gadamer's hermeneutic concepts with a descriptive-analytical approach and collecting information by using library resources, admittance is answered the question how much the painter's artwork of this era fit into Gadamer's hermeneutic theory. In this regard, he talks to the art of the Safavid period, and consider that the whole truth is not wi

    A Survey of the Effects of Teaching Creative Methods in Painting Workshop (Case Study: BA Students of Painting, Alzahra University)

    N Hourizad, MK Hasanvand
    Journal Papers , , {Pages }

    Abstract

    An Introduction to Postmodernism & its Manifestation in Visual Arts

    MOHAMMAD KAZEM HASSANVAND
    Journal Papers , Issue 5, 2018 January 1, {Pages 20-May }

    Abstract

    Many scholars and critics agree that it is very difficult to express and define postmodernism, due to the existence of a patchwork of different views and opinions. This study aims to identify the origin of postmodernism and its manifestation in the visual arts. Universally known as a form of cultural authority, postmodernism is beyond style or artistic movement. It is a hybrid and contradictory art on one hand, and opposes modernism on the other. It has the word behind it. But while anti-modernism exist, postmodernism can get rid of the deadlock on the choice and move forward. Perhaps postmodernism is a type of evolutionary modernism. Or it is a need of human societies today while modernism has lost its function at this point of time. Postm

    A Study on New Art Media in The Works of Four ContemporaryInternational Female Artists

    N Esmaili, MK Hassanvand
    Journal Papers , , {Pages }

    Abstract

    The Impact of Computer Games on School Children’s Paintings (An interdisciplinary study)

    Mohammad Kazem Hassanvand, Maryam Esmailinasab, Erfan Shahyad
    Journal Papers , Issue 1, 2016 January 1, {Pages 69-80 }

    Abstract

    102 The Impact of Computer Games on School Children’s Paintings) An interdisciplinary study (formation of the structures of children’s drawings. Findings show that although some studies point out some slight advantages for playing computer games; however, the overuse of such games will leave undesirable effects which can be observed in children’s drawings known as a diagnostic tool during childhood stage. This confirms the findings based on which one cannot make a unilateral conclusion on the impact of computer games. The playtime should also be taken into account to judge the problem and to train families.

    A Reexamination of Saqqā-ḵāna Painting from the View of Gadamer Hermeneutics

    MK Hassanvand, I Abbas
    Journal Papers , , {Pages }

    Abstract

    The Origin and Evolution of Concepts in Visual Symbols of Palestinian Art with Emphasis on the Contemporary Painting and Cactus Motif

    Alireza Baharloo, Mohammad Kazem Hassanvand
    Journal PapersHonar-Ha-Ye-Ziba: Honar-Ha-Ye-Tajassomi , Volume 20 , Issue 3, 2015 November 22, {Pages 57-70 }

    Abstract

    With the advent of Modernism in the West and the spread of its indirect influences in Eastern countries, especially those of the Islamic lands, the art of these societies - at least in form and structure – inclined towards Western movements and schools, however retained and continued their local values and traditions in theme. Meanwhile, the arts of Palestine, especially in the field of painting went on presenting the values and concepts by making use of symbolism, an indispensable and fundamental essential in Islamic Art. These symbols which contain a wide range of things from objects, plants and animals to specific phenomena, are in some cases in conformity with the common themes and concepts, but sometimes come from the Palestinian art

    AN INVESTIGATION INTO TRANSFORMATION OF PORTRAITURE IN IRANIAN MINIATURE PAINTING TILL SAFAVID ERA

    MOHAMMAD KAZEM HASSANVAND, SHAHLA AKHONDI
    Journal Papers , Volume 7 , Issue 24, 2013 January 1, {Pages 14-35 }

    Abstract

    Iranian Moslem painters have observed the divinely world through the world beauties; aimed at finding out the worldly instances and understanding the eternal realities. These beliefs have affected the portraiture in Iranian traditional painting; therefore, despite of the western painting, the Iranian painting has been rarely served the creation of the iconography. Regarding the above mentioned points, the portraits in Iranian traditional painting are unique, while they have been painted based on specific patterns. This methodology led some researchers to a fault judgment; so that they have observed the portraits as similar and rigid ones. However, the Iranian traditional portraiture has been affected by different social factors. In this art

    An Investigation into Transformation of Portraiture in Iranian Miniature Painting till Safavid Era

    Mohammad Kazem Hassanvand, Shahla Akhondi
    Journal PapersNegareh Journal , Volume 7 , Issue 24, 2012 December 21, {Pages 15-36 }

    Abstract

    Iranian Moslem painters have observed the divinely world through the world beauties; aimed at finding out the worldly instances and understanding the eternal realities. These beliefs have affected the portraiture in Iranian traditional painting; therefore, despite of the western painting, the Iranian painting has been rarely served the creation of the iconography. Regarding the above mentioned points, the portraits in Iranian traditional painting are unique, while they have been painted based on specific patterns. This methodology led some researchers to a fault judgment; so that they have observed the portraits as similar and rigid ones. However, the Iranian traditional portraiture has been affected by different social factors .In this art

    STUDY OF COMMON PICTORIAL AND LITERARY SYMBOLS IN PERSIAN TRADITIONAL PAINTING (CASE STUDY OF TWO AMOUROSLY PICTURES)

    MK HASSANVAND, ZAHRA RAHNAVARD, E SHIRAVI
    Journal Papers , Issue 27, 2006 January 1, {Pages 105-116 }

    Abstract

    Iranian paintings beside Iranian literary texts, play an important role in Art of this country. In so many cases we have seen different sorts of effects done by accompanying painting beside literature. In poring over these paintings, a kind of reciprocal and adherent viewpoint is apparent between literary passages and drawn pictures, which all shows the inevitable features of conventional Iranian paintings. getting this viewpoint, is involved to getting all the aspects of Iranian literature and also Iranian culture, unless, no judgment over these paintings is acceptable. It means, they are not distinct but also not dependent. Relation between Art and Literature caused a close relation between different aspects of these two styles. it means

    THE MEXICAN MURAL MOVEMENT

    MK HASSANVAND
    Journal Papers , Issue 18, 2004 January 1, {Pages 61-70 }

    Abstract

    It is generally that the Mexican Muralism had its roots in the 1910 revolution. The Mexican Muralists produced the greatest public revolutionary art of twentieth century, and their influence throughout Latin America has been far reaching and continuous. The muralists were the most vigorous and creative of cultural vanguard of revolutionary Mexico, with a powerful sense of the social value of their art. The mural movement was increasingly concentrated in the hands of" Los Tres Grandes": Rivera, Orozco and Siqueiros. The muralists demanded, at least in principle, to eradication of bourgeoisie art (easel painting), and pointed to the native Indian tradition as their model for the socialist ideal of an open, public art:" a fighting educative ar

    A Survey of Prohibition of Painting in Islam

    MK Hassanvand
    Journal Papers , , {Pages }

    Abstract

    دروس نیمسال جاری

    • دكتري
      نگارگري معاصر ايران ( واحد)
      دانشکده هنر، گروه هنر اسلامي
    • كارشناسي ارشد
      نقاشي موضوعي ( واحد)
    • كارشناسي ارشد
      نقاشي موضوعي ( واحد)
    • كارشناسي ارشد
      آموزش هنر جديد ( واحد)

    دروس نیمسال قبل

    • كارشناسي ارشد
      كارگاه تخصصي نقاشي ديواري ( واحد)
      دانشکده هنر، گروه نقاشي
    • كارشناسي ارشد
      رسانه معاصر (بيانيه و ايده آفريني) ( واحد)
    • كارشناسي ارشد
      رسانه معاصر (بيانيه و ايده آفريني) ( واحد)
    • كارشناسي ارشد
      نقاشي تجربي ( واحد)
    • كارشناسي ارشد
      نقاشي تجربي ( واحد)
    • كارشناسي ارشد
      زبان تخصصي ( واحد)
    • كارشناسي ارشد
      روش تحقيق ( واحد)
    • دكتري
      زيبايي شناسي نقاشي ايراني اسلامي ( واحد)
    • كارشناسي ارشد
      روش تحقيق ( واحد)
      داده ای یافت نشد
      داده ای یافت نشد

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