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  • دکتری (1383)

    تاریخ وفلسفه هنر ایران

    بیرمنگام، انگلستان

  • زیبایی شناسی و فلسفه هنر
  • فلسفه رسانه های هنری

    داده ای یافت نشد

    Religion and image: Three decades of visual analysis of the TV show

    Bashir Motamedi, Mahdi Montazer Ghaem, Asghar Fahimifar, Abdollah Bicheranlou
    Journal PapersInterdisciplinary Studies in Media and Culture , Volume 10 , Issue 2, 2021 February 19, {Pages }

    Abstract

    One of the concerns of religion and media domain is the question of the relation between religion basedOne of the concerns of religion and media domain is the question of the relation between religion based on discourse, image and visual media. In this article while reviewing the theoretical literature among religious programs ‘Lesson form the Quran’ by Hojjatul-Islam Qarati which is broadcast about 40 years was reviewed and sought to respond this question ‘what changes have the religious images undergone during these years and has it leaded to better presentation of the religion? The methodology of this study is semiotic which was accessed by emphasizing 5 items:’ Clothing, age and sex’, ‘non-verbal communication’, ‘moveme

    The Study of the Geometric Motifs and Their Meanings in the Illustrated Manuscript of the Three Poems by Khwaju Kermani (British Library, add. 18113)

    Fatemeh Shahkolahi, Asghar Fahimifar
    Journal PapersNegareh Journal , 2021 February 7, {Pages }

    Abstract

    According to the manifestation theory in Islam, the God expresses itself through the mediator, and these mediators take on the meaning of symbol in art and beauty, and use the mystery language to express their inner concepts and nature. The way that God is portrayed in a religion determines the nature of its religious art. Islamic art has chosen the form of geometry, which is inherently similar to the ideal forms, to manifest exemplary forms in art, and geometric motifs in Persian painting can be one of the examples of using geometry to represent the exemplary world. Geometric motifs in Persian-Islamic arts is one of the types of images that can help artists to express facts. It means by combining geometry and philosophical and theological

    The Study of the Polyphony and Dialogism Concept in the Mikhail Bakhtin Theory in the Reza Abbasi's Paintings

    Fatemeh Shahkolahi, Asghar Fahimifar
    Journal PapersNegareh Journal , 2021 February 7, {Pages }

    Abstract

    Reza Abbasi, a prominent painter of the Isfahan painting school, is one of the few Persian painters who attends to the general public and society as a "public painter" and illustrates court orders and figures of kings and nobles as a "court painter" in the Safavid court at the same time. This change in the tradition of Persian painting at the end of the tenth and eleventh centuries A. H. led to the first time that Persian painting was able to have the same and equal reflection of different social voices. Until now, due to the dominant presence of the upper class in the paintings, monophony and social centralism in Persian painting was common and obvious. On the other hand, Mikhail Bakhtin, a twentieth-century Russian theorist, proposed the

    A reading of a coffee house painting based on the concept of conversation in Gadamer's modern hermeneutic theory

    E Taherian, A Fahimifar, MK Hassanvand
    Journal Papers , , {Pages }

    Abstract

    The Role of Roger Scruton in the Development of Analytic Aesthetics

    M Marjani, A Fahimifar
    Journal Papers , , {Pages }

    Abstract

    REREADING ISLAMIC IDENTITY IN CONTEMPORARY AFGHAN PAINTING (CASE STUDY: PAINTINGS OF THE LAST TWO DECADES)

    HALI POURMAND, ALIA FAHIMIFAR, H ANSARI
    Journal Papers , , {Pages }

    Abstract

    New Media and Ideology: A Critical Perspective

    M Goodarzi, AA Fahimifar, E Shakeri Daryani
    Journal Papers , , {Pages }

    Abstract

    A Critical Study of Postmodern Philosophy in Adonis’ Poems

    K Parvini, SH Hosseini, K Roushanfekr, A Fahimifar
    Journal Papers , , {Pages }

    Abstract

    From commitment to expressionism: a survey on the changing concept of photography in Iran

    Hadi Azari Azqandi, Asghar Fahimifar, Ali Sheikhmehdi
    Journal PapersVisual Studies , 2020 October 12, {Pages 12-Jan }

    Abstract

    This paper examines the evolution of the concept of photography in Iran during the two decades following the 1979 Islamic revolution and its relationship to a changing political discourse during that period. Since the state became a dominant player in culture and the arts during the post-Islamic revolutionary era, this paper puts the evolution of the concept of photography into a socio-political context. Using Discursive Institutionalism as a theoretical framework, we examine Iranian photographers’ ideas on photography as well as the discourses that affected photography organisations, revealing the forces driving changes in how photographic work was conceived. The first decade following 1979 the Islamic revolution was marked by eight year

    Study and recognition of mineral matter of pastiglia layer and gliding of Safavid period in Qazvin chehelsotoun

    Sayyed Mohsen Hajisayyedjavadi, Asghar Fahimifar, Yaser Hamzavi
    Journal Paperspazhoheshha-ye Bastan shenasi Iran , Volume 10 , Issue 25, 2020 August 22, {Pages 225-240 }

    Abstract

    The wall paintings of Qazvin Chehelsotoun Mansion include two periods in the early Safavid period and one period in the Qajar period. This topic has received little attention in the field of structural studies and stylistics. Investigating these decorations in order to understand the evolution of this art and considering the temporal precedence over other murals in the Safavid period seems necessary.(Especially in Isfahan) The main question of this research is to identify the structure and examine the differences and similarities between the techniques of layering and gilding in different layers related to the Safavid era in this monument. The research hypothesis is based on the similarity of materials and techniques used in the two short a

    Synthesis of Titanium Nano-particles and Studying Surface Resistance of Cyrus Tomb’s Carbonated Stones

    Morteza Heidari, Ali Asghar Fahimifar, Mohammadzaman Kasaei
    Journal PapersKnowledge of Conservation and Restoration , Volume 3 , Issue 1, 2020 June 10, {Pages 06-Jun }

    Abstract

    In this study, cheap nanoparticles with the highest hybrid similarity were introduced to increase the surface resistance of ancient Pasargadae (Cyrus Tomb) rocks. As result, the kind of mineral of thin section of sample was detected as calcite and grainstone texture. The physical features of the sample indicated a high porosity. In order to achieve a high compatibility of the intended Nano materials, some powder of the sample was used as pre-material through Mechanical Grinder. After preparation of the powder, Nano material was prepared due to sol-gel method. Calcium Titanate blurs with the phase of Perovskite and Titanium dioxide with the phase of Anatase have been detected as XRD. These compounds were confirmed by FT-IR. The size of spher

    The Study of the Geometric Motifs and Their Concepts in the Illustrated Manuscript of the Three Poems by Khwaju Kermani (British Library, add. 18113)

    Fatemeh Shahkolahi, Asghar Fahimifar
    Journal PapersNegareh Journal , Volume 15 , Issue 56, 2020 December 21, {Pages }

    Abstract

    Negareh Journal (NEGAREH).

    Critical Study of Postmodern Philosophy In the poems of Adonis

    Khalil Parvini, Seyed Hossain Hossaini, Kobra Roushanfekr, Asghar Fahimi Far
    Journal PapersLesan-on Mobeen-on , Volume 12 , Issue 42, 2020 December 21, {Pages 87-104 }

    Abstract

    Postmodernism, as an intellectual, philosophical and cultural phenomenon, is the disobedient child of modernism, that in a critical dialectical relationship with it, based on elements such as denial of rationalism and rejection of Essentialism, denial of the domination of science, negation of Metanarrative, violation of certain duplications and deconstruction... In contrast to rationalism, Essentialism , the Scientism and the centralization of modernism, following the mental and intellectual crisis of civilized man arose in the West the aftermath of the two world wars. This cultural and philosophical phenomenon in the era of communication and through coexistence and peaceful and non-peaceful relations, the cultural and thought base in Islam

    The explanation of three approaches to colors from the viewpoint of Imam Ali (PBUH) in Nahj al-Balaghah

    Fatemeh Asgari, Asghar Fahimifar
    Journal PapersImam Ali΄ s Studies , Volume 11 , Issue 21, 2020 August 22, {Pages 23-Jan }

    Abstract

    ?‡ LŸv??~? ?LŸj? wL?Ÿ ‚Lz‹ ?• w‰™„fl?~ fl w‰ zw?? ?v ???z ?? ‚? ? {’v ?‰› ?fi „? v‡ fiΩ ‚z ‚?› j ?Ÿ ‚? ? {’v ?‰› ?wfi?Ÿ fl? wz? I◊ ?? ??w {?? fl ?z?v Ç¡ ?z fl ??w?≈‹ ?L• ??wL {?? ?v. ?? wz• w? fl y?Ω fl› ?v ??wΩ ‚Õ¤ v?Lz ?‰ ?‡ L? ‚L?› j wLŸv I? j ?LŸ?? ?w‰ ?—? ?fl w? ?• v ?? ??w {?? ?w?zv ?• v? ?™› wLz. ?L• v ??fi „? w—??? wz ‚? ? {’v ?‰› ?? ?? ?? ??z fl ?⁄? ?? ?• wfi?

    The Dominant Element in “Fish & Cat” Movie

    Farideh َAfarin, Masoud Heidarkhani, Asghar Fahimifar
    Journal PapersJournal of Interdisciplinary Studies in Communication and Media , Volume 3 , Issue 2, 2020 August 22, {Pages 73-100 }

    Abstract

    “Fish & Cat” is a film directed by Shahram Mokri in 2013, this article is going to survey on the Dominant Element in the film based on the views of Russian neo-formalists. To achieve this, we have used Jakbson’s idea, Dominant Element, and according to Russian Formalists we have expanded it to determine the meaning. The methodology of the research is descriptive analysis and in order to analyze the relations between minor narratives & the “Red Colour”, we have used descriptive correlation method as well. This could help us to reach different layers of meaning. Breaking down the scenes & shots in “Fish & Cat”, together with their analysis, led us to the fact that the red colour has a very determining role & it is as one of the

    Kurdish Tablecloth Kilim Designs in Northern Khorasan

    Azam Safipour, Asghar Fahimifar
    Journal PapersHonar-Ha-Ye-Ziba: Honar-Ha-Ye-Tajassomi , Volume 25 , Issue 3, 2020 November 21, {Pages 111-124 }

    Abstract

    Iran is home to various tribes and clans, each of which has a rich heritage and a mysterious background. One of these tribes is the Kormanj people who migrated to Khorasan from the west of the country during the Safavid era and today, with the passage of time and a result of their relations with other ethnicities in the region, many changes have taken place in their culture and art. Handwoven products made by the Kormanj people of North Khorasan are among the indigenous arts of this region. For the Kormanj, bread has always been especially important as they believe that bread is blessed food and the main source of sustenance. So, women of the Kormanj nomads made special cloths to keep bread in them. Those cloths are now known as Kurdish tab

    Decoration Wisdom and Geometry of motifs in Islamic Art

    Saeid Aj, Mohamad Farid Khodarahmi, Aliasghar Fahimifar
    Journal PapersTheology of Art , Volume 1397 , Issue 14, 2020 July 22, {Pages 99-118 }

    Abstract

    تحقیق پیش رو، به دنبال تبیین نسبت بین حکمت اسلامی و نقوش تزئینی - هندسی در هنر اسلامی می باشد. این تحقیق سعی بر آن دارد که با نگاهی فرا تاریخی و رجوع به وحی الهی (قرآن)، که سرمنشأ این هنر است، به پرسش ?حکمت نقوش تزیینی - هندسی در هنر اسلامی چیست؟? پاسخ دهد. فرض نگارنده بر این است که غنای صوری و ظرفیت بالای نقوش هندسیِ هنر اسلامی در انتقال معانی حکمی، برآمده از اندیشه ای غنی مبتنی بر ?وحی? و متافیزیک اسلامی است که در پس ا?

    The Quality of Aesthetics on Religious Websites

    Samira SaefAli, Asghar FahimiFar, Amir Abdoreza Sepangi
    Journal PapersPure Life , Volume 7 , Issue 21, 2020 June 1, {Pages 163-186 }

    Abstract

    New media create opportunities to represent the teachings of religion and its teachings in new ways that a large number of websites with religious content show. Introduce and express religious teachings. Meanwhile, paying attention to aesthetic possibilities in new media, and especially in designing religious websites, can play an important role in providing better and more desirable content to the audience; Therefore, the present study, considering the importance of new media in contemporary communication and the role that these media have in introducing and expressing religious concepts, has examined the existing aesthetic features in the design of religious websites.This research is descriptive-analytical in a way that data collection ha

    Quality of Visual Aesthetic Facets in Designing Christian and Islamic Religious Websites

    Samira Seifali, Asghar Fahimifar
    Journal PapersMalaysian Journal of Media Studies , Volume 22 , Issue 1, 2020 May 31, {Pages 17-32 }

    Abstract

    This study considers visual aesthetics as a significant contributor to involving the user in online visual communication. It argues that religious websites as an online environment require attention to the impressive communication process. In this study, we focus on how Christian and Islamic religious websites use the five visual aesthetic facets, including Simplicity, Diversity (visual richness), Colourfulness, Typography, and Image on homepages. To address this issue, 10 Christian and Islamic religious websites are selected from the Alexa top religious websites. Using a descriptive-analytics approach, evaluation of visual aesthetics is conducted through a checklist based on the theoretical and empirical literature reviewed on visual aesth

    Sociological Consideration of

    Mostafa Siasar, Seyyed Saeed Zahed, Asghar Javani, Asghar Fahimifar
    Journal PapersQuarterly of Social Studies and Research in Iran , Volume 9 , Issue 1, 2020 March 20, {Pages 161-186 }

    Abstract

    Introduction: Sociological study in art, establishes new capabilities and advantages for social planners and art society members. Sociological study of Farshchian,s Shiite paintings, which usually were welcomed by the public, more than the meaning, will provide the contemporary Iranian painters with self-awareness. This research will also answer to questions such as “how does a piece of art bccome fameous and welcomed, how personal background causes a piece of art be welcomed publicly, what are the affects of cultural conditions on artist personality and his works and what is the relation between society and artist and his work? Method: To answer these questions via an explanatory - analytic method for analyzing, much data gathered throug

    دروس نیمسال جاری

    • دكتري
      زيبايي شناسي ( واحد)
      دانشکده هنر، گروه پژوهش و تاريخ هنر
    • كارشناسي ارشد
      بيان بصري ( واحد)
    • كارشناسي ارشد
      بيان بصري ( واحد)

    دروس نیمسال قبل

    • كارشناسي ارشد
      هنر و فناوري ( واحد)
      دانشکده هنر، گروه پژوهش و تاريخ هنر
    • كارشناسي ارشد
      هنر و فناوري ( واحد)
    • دكتري
      حكمت و زيبايي در هنر سنتي ( واحد)
    • 1395
      زال پور, علي محمد
      زيبايي و هنر از ديدگاه ابوحيّان توحيدي
    • 1397
      بهاالديني, پروين سادات
    • 1393
      حبيب زاده, مهدي
      بازنمايي عكاسانه بدن به منزله تجسم بصري قدرت انضباطي (مطالعه موردي:عكسهاي دوره قاجار)
    • 1394
      تنوير پيرزاده, زهره
    • 1395
      ازادبخت, مجيد
    • 1396
      طاهريان, الهام
    • 1396
      دريب, محمد خير
    • 1397
      ترابي اقدم, محمود
    • 1397
      آخوندي, زهرا
    • معاون پژوهشی دانشکده هنر و معماری
    • مدیرگروه پژوهش و تاریخ هنر
    • مدیر گروه نقاشی
      داده ای یافت نشد

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