| YEAR |
TITLE |
| 2023 |
Analysis of the Decorative Forms and Patterns of the 15th Century Valencia Albarellos in Spain Preserved in the Metropolitan Museum of Art in New York
M Hashemi, M Shayestehfar
Islamic Art Studies 20 (51)
|
| 2023 |
Thematic and visual analysis of Images Painted for Three Stories of Ashura (Distorted Incidents) in the Lithographic Manuscript of Asrār Al-Shahādah (1851) Kept in the National …
F Asgari, M Shayestehfar, SA Ahmadpanah
Theoretical Principles of Visual Arts
|
| 2022 |
Safavid and Portuguese Christian Influence on Saint Stepanos Monastery in Julfa, Iran
M Shayestehfar
Baltic Journal of Art History 23
|
| 2022 |
Analysis of the colors clothing of Hazrat Alis illustrations in Kavarannama based on the views ofAlaal-Dawla Simnani
M Shirani, M Shayestehfar
Journal of Language and Linguistic Studies 18 (2)
|
| 2022 |
Reflection of the poems of the spiritual Masnavi related to the stories of the prophets in the paintings of the Safavid period
M Shayestehfar
Peykareh
|
| 2022 |
Exploring the Illustrations of the Women in the Battle of Karbala, with a Focus on Zaynab bint Ali (p)—Case: Lithographic Manuscripts of Kulliyat-e Joodi
F Asgari, M Shayestehfar, A Ahmadpanah
History of Islam and Iran 31 (52), 141-172
|
| 2021 |
An Introduction to Design and Characterization Features In The Lithographic Manuscript Of Majalis Al-Muttaqin, Illustrated By Abdul Jalil (Anonymous Illustrator) And Its …
F Asgari, M Shayestehfar, A Ahmadpanah
Negareh Journal 16 (60), 39-57
|
| 2021 |
The Impact of Chinese Seals on the Structure, Design, and Usage of the Īl-Khānids Seals and Coins
M Shayestehfar, E Khazaie
Design Engineering, 6530-6555
|
| 2021 |
Exploring the Illustrations of the Women in the Battle of Karbala, with a Focus on Zaynab bint Ali (p)—Case: Lithographic Manuscripts of Kulliyat-e Joodi
M Shayestehfar, F Asgari, A Ahmadpanah
History of Islam and Iran
|
| 2021 |
Reviewing the Effects of Lithographic Ashura Paintings of Judi Collection on the Tilework of Tekyeh Moaven al-Molk
F Asgari, M Shayestefar
Historical Sciences Studies 13 (2), 147-173
|
| 2021 |
Investigating the Commonalities and Variances Between the Themes Applied in the Safavid and Ottoman Paintings
M Shayestehfar, E Khazaei
Islamic Art Studies 18 (41), 252-287
|
| 2021 |
A Comparative Study of Decoration and Illumination Paintings between the Old Historical Documents in The first to Sixth/Sixth to twelfth Centuries in Iran and Europe
M Shayestehfar, R Khazaie
LINGUISTICA ANTVERPIENSIA, 4237–4255-4237–4255
|
| 2021 |
Landscape representation in the Chinese and Persian paintings (Yuan-Song/Īl-Khānid Mongols Eras)
M Shayestehfar, R Khazaie, E Khazaie
PalArchs Journal of Archaeology of Egypt/Egyptology 18 (4), 4082-4107
|
| 2021 |
A General Outlook on the Basics of Coloring in Traditional Iranian Arts (with Emphasis on the 4th to 6th centuries AH)
A Puriyay, M Shayestehfar
Islamic Art Studies 17 (40), 91-106
|
| 2021 |
Diplomacy and representation: A comparative analysis of the representation of the Safavid ambassador in the presence of the Mughal and Ottoman rulers
A Haghayegh, M ShayestehFar
Scientific Journal of Motaleate-e Tatbighi-e Honar 10 (20), 47-60
|
| 2021 |
Fatimid Wood and Ivory Carving
M Shayestehfar, R Khazaie, E Khazaie
PSYCHOLOGY AND EDUCATION 58 (2), 10484-10497
|
| 2020 |
Symbolic Manifestations of Nature in the Poetry and Paintings of the Fourth and Seventh Centuries AH.(With Emphasis on the Poetry of Manouchehri Damghani and Ghazals of Shams)
S Chelipa, H Jadid Al Eslami, A Keikhafarzaneh
Islamic Art Studies 17 (39), 159-179
|
| 2020 |
The Event of Qadir Khom and Theological Aspects in Safavid Paintings
M Shaystefar
Islamic Mysticism 16 (63), 13-40
|
| 2018 |
Comparative comparison of the inscriptions of Abbasi and Tala porches (Amir Ali Shir porch or Naderi porch) located in Atiq courtyard (Revolution)
M Shayestehfar, E Khazaei
Islamic Art Studies 14 (32), 146-174
|
| 2016 |
Visual Elements of Islam Prophet (PBUH) life events in religious paintings of Jameá-al-Tawarikh
M Shayestehfar
Islamic Art Studies 12 (25), 37-52
|
| 2015 |
An Aesthetical Study on the Painting of “The Flee of Yusuf from Zulaikha” According to the Religious Texts and the Theological Literature of Jami
M Shayesteh Far, M Zaree
Islamic Art Studies 11 (23), 57-74
|
| 2015 |
A Comparative Study of Brocade Weaving Art Motifs and Designs in Iran and Malaysia
M Shayestehfar
Islamic perspectives relating to business, arts, culture and communication …
|
| 2014 |
Oppositional binary of “the self” and “the other” in two illustrated versions of Shahnameh, Shahnameh of Shah Tahmasb and Shahname of shah Ismaeel II: An Analysis of the …
A Haghayegh, M Shayestehfar
Kimiya-ye-Honar 3 (12), 51-66
|
| 2014 |
The Reflection of the Qadir Khom Event in Safavid Paintings
M Shayestehfar
Sofalineh 1 (2), 91-104
|
| 2014 |
A Comparative Study on Design and Color on the Carpet Designs and Lacquered covers of the Qajar Era
M Shayestehfar, MS Hejazi
Sofalineh 1 (1), 7-20
|
| 2014 |
The Icon and Symbol of Dragon in Persian Literature and Painting
Z Abdollah, M Shayestehfar
Peykareh 2 (4), 43-58
|
| 2013 |
Content Analysis of the Epigraphs Engraved on the Imam Reza (AS) Holy Shrine Verandas in Timurid and Safavid Eras
M Shayestehfar
Journal of Razavi Culture 1 (3), 117-147
|
| 2013 |
THE EXPRESSION OF ARCHITECTURAL DECORATIVE DRAWINGS IN KAMAL-AL-DIN BEHZAD’S WORKS: THE PAINTING «A BEGGAR AT THE DOOR OF THE MOSQUE»
M SHAYESTEHFAR, F SEDREHNESHIN
Negareh 8 (25), 18-37
|
| 2012 |
The Expression of Architectural Decorative Drawings In Kamal-Al-Din Behzads Works: The Painting
M Shayestehfar, F Sedrehneshin
Negareh Journal 8 (25), 19-38
|
| 2012 |
The decorative motifs of the hand-woven socks of the Allasht area of Mazandaran
M Shayesteh Far, MS Hejazi
Islamic Art Studies 8 (16), 35-48
|
| 2012 |
Women Figure Illustrations on Persian Qalamdans (pen cases) in Nasser Khalili Collection
M Shayestehfar, Z Shayestehfar, R Khazaee
Journal of Woman in Culture Arts 4 (2), 127-148
|
| 2011 |
Pictorial Rugs of Qajar Period in the Carpet Museum of Iran
M Shayestehfar, T Sabaghpour
BAGH-E NAZAR 8 (18), 63-73
|
| 2011 |
THEMATIC REVIEW ON THE LITHOGRAPHIC & ILLUSTRATED BOOKS SELECTED FROM TABRIZ CENTRAL LIBRARY
M SHAYESTEHFAR, AM MOTEFAKER
ISLAMIC ART 7 (14), 81-100
|
| 2011 |
A THEMATIC STUDY OF CALLIGRAPHIC DESIGNS ON QAZVIN MASJID-EN-NABI: AN EMPHASIS ON RELIGIOUS THEMES
F KHAMSEH, M SHAYESTEHFAR
NAGHSH MAYEH 4 (7), 45-58
|
| 2011 |
THEMATIC REVIEW ON THE ICONOGRAPHY OF ISLAM’S PROPHET IN THE PAINTINGS OF ILKHANID ERA VERSUS THE ICON-PAINTING OF JESUS CHRIST IN THE LATE BYZANTINE RELIGIOUS PAINTINGS
M SHAYESTEHFAR, K KIAN, Z SHAYESTEHFAR
ISLAMIC ART 7 (14), 41-60
|
| 2010 |
A Comparative Study of Persian Rugs of 14th-17th Centuries as Reflected in Italian Paintings
M Shayestehfar
The International Journal of Humanities 17 (2), 93-109
|
| 2010 |
Patterns and Motifs of Qajar Carpets in the Carpet Museum of Iran
M Shayestehfar
goljaam, Scientific Journal of Handmade Carpet 5 (14), 89-112
|
| 2010 |
THE STUDY OF SYMBOL BIRD PATTERNS IN SAFAVID AND QAJAR CARPETS FORM THE ASPECTS OF FARMAND CONTENT
T SABAGHPOUR, M SHAYESTEHFAR
NEGAREH 5 (14), 39-50
|
| 2009 |
THE STUDY OF DECORATION AND INSCRIPTION OF LIGHT IN THE MUSEUM OF SACRED SHRINE OF IMAM REZA
M SHAYESTEHFAR, L MOHAMMADIAN
RESEARCH ON CULTURE AND ART 1 (2), 47-62
|
| 2009 |
Ornamentation and Quranic Scripts of the Gohar-Shad Mosques of Mashhad and Herat
M Shayestehfar
ISLAMIC ART 6 (12), 73-98
|
| 2009 |
PATTERNS AND MOTIFS OF QAJAR CARPETS IN THE CARPET MUSEUM OF IRAN
T SABAGHPOUR, M SHAYESTEHFAR
GOLJAAM
|
| 2009 |
COMPARATIVE THEMATIC AND TECHNICAL STUDY OF COURT AND COFFEEHOUSE PAINTINGS IN THE QAJAR ERA
M SHAYESTEHFAR, F KHAMSEH
NAGHSH MAYEH 2 (3), 63-84
|
| 2009 |
SHI’AH CONCEPTS AND THE BAGHDAD SCHOOL OF PAINTING
M SHAYESTEHFAR
ISLAMIC ART 5 (10), 59-76
|
| 2009 |
A CONTEXTUAL STUDY ON THE DESIGNS AND MOTIFS OF FATIMID POTTERY, MANUSCRIPTS, AND WALL PAINTINGS
M SHAYESTEHFAR, F MAHMUDI
ISLAMIC ART 6 (12), 33-52
|
| 2009 |
THE SCRIPT AND ILLUMINATION OF TIMURID QURANS IN GLOBAL COLLECTIONS
M SHAYESTEHFAR
ISLAMIC ART 5 (10), 99-120
|
| 2008 |
An introduction to Persian Islamic art
M Shāyistahʹfar
Institute of Islamic Art Studies Press
|
| 2008 |
STATUS OF IMAM ALI
M Shayestehfar
ISLAMIC ART 5 (8), 7-24
|
| 2007 |
INTRODUCING THE MANSCRIP OF ASAR-AL BAQIEH IN THE LIBRARY OF SHAHID MOTAHARI SCHOOL
M SHAYESTEHFAR
ISLAMIC ART 3 (6), 25-42
|
| 2006 |
THE MANUSCRIPTS OF HADIGHAT-AL-SHOHADA THE RELIGIOUS MASTERPEIEES IN PAINTING OF THE SCHOO OF ISFAHAN
M SHAYESTEHFAR
ISLAMIC ART 2 (4), 121-138
|
| 2006 |
COMMON DESCRIPTION ELEMENTS IN THE QURANS AND BIBLES (7TH-8TH/13TH-14TH CENTURIES)
M SHAYESTEHFAR, A RAZZAQHI
ISLAMIC ART 2 (4), 7-30
|
| 2003 |
The Impact of the Religion on the Painting and Inscriptions of the Tîmûrid and the Early Safavid Periods
MS Far
Central Asiatic Journal 47 (2), 250-293
|
| 2003 |
DECORATIVE INSCRIPTIONS OF THE SHRINE OF SHEIKH SAFI AL-DIN ARDEBILI
M SHAYESTEHFAR, M GOLMAGHANIZADEH
JOURNAL OF SOCIAL SCIENCES AND HUMANITIES OF SHIRAZ UNIVERSITY 19 (137), 83-103
|
| 2003 |
Instrumentos musicales en las pinturas timúridas: una aproximación organológica
M Shayestehfar
Goya: Revista de arte, 245-255
|
| 2002 |
Persian Painting, translated by Mahnaz. Shayestehfar
S Konblay
Institute for the Study of Islamic Art, Tehran
|
| 2002 |
RELIGIOUS SPIRITUALITY IN PAINTINGS OF THE SAFAVID AND OTTOMAN ERA
M Shayestehfar
RESEARCH BULLETIN OF ISFAHAN UNIVERSITY (HUMANITIES) 13 (1), 133-150
|
| 2000 |
THE RELATION OF RELIGION AND THE ART OF ILLUSTRATING IN THE TIMURID AND THE EARLY SAFAVID PERIODS
M SHAYESTEHFAR
MODARRES HUMAN SCIENCES 4 (215), 25-40
|
| 1998 |
Shiah artistic elements in the Tiurid and the early Safavid periods: book illustrations and inscriptions
M Shayesteh-Far
The University of Birmingham
|
| 1996 |
Islamic art, translated into Persian by Mahnaz Shayestehfar
B Brand
Tehran: Islamic art study institution
|
| |
SYMBOLIZED ARTISTIC FEATURES OF NOWRUZ IN IRANIAN ARTWORKS
M Shayestehfar, R Khazaie
|
| |
THE MANIFESTATION OF THE HOLY NAMES IN ARCHITECTURAL DECORATIONS OF IMAMZADEHS AND MAUSOLEUMS OF THE 8TH HEGIRA IN QOM PROVINCE
M SHAYESTEHFAR, R SARRAFZADEH
ISLAMIC ART 7 (13), 89-108
|
| |
REVIEWING THE DECORATIVE MOTIFS OF TIMURID QURANS AND THE TILE-WORK OF THE GOHARSHAD MOSQUE OF MASHHAD
N ASNAASHARI, M SHAYESTEHFAR
ISLAMIC ART 8 (15), 53-72
|
| |
THE VALUE AND MANIFESTATION OF RELIGION IN PERSIAN PAINTINGS (ILKHANID AND TIMURID ERAS)
M SHAYESTEHFAR
ISLAMIC ART 3 (5), 97-118
|
| |
THE CONCURRENCE OF COLOR AND PATTERN ON THE DECORATIVE ELEMENTS OF THE JAMI MOSQUE OF YAZD, ZILOU-WEAVINGS, AND THE POTTERIES OF MEYBOD
M SHAYESTEHFAR, M BEHZADI
ISLAMIC ART 8 (15), 91-110
|
| |
STUDYING THE MANNER OF THE PROPHET OF ISLAM ON PAINTINGS AND ISLAMIC ARCHITECTURE
M SHAYESTEHFAR
ISLAMIC ART 3 (5), 119-140
|
| |
TURKMEN RUG MOTIFS IN RENAISSANCE PAINTINGS: REFLECTIONS ON THE JOURNEY OF TURKMEN MOTIFS FROM EAST TO WEST
M Shayestehfar, M Khazaie, R Khazaie, E Khazaie
|
| |
THE INTERACTION BETWEEN POETRY AND ARCHITECTURE IN TIMURID AND SAFAVID BUILDINGS
M SHAYESTEHFAR
ISLAMIC ART 6 (11), 79-104
|
| |
A COMPARISON OF DESIGN AND PATTERN BETWEEN THE JAMI MOSQUE OF YAZD AND ZILU CARPETS
M SHAYESTEHFAR, S SHOKRPUR
ISLAMIC ART 6 (11), 25-42
|
| |
SYMBOLISM AND NATIONAL IDENTITY ADMINISTRATING SAFAVID CARPETS
M SHAYESTEHFAR
ISLAMIC ART 5 (9), 117-138
|
| |
THE NURTURING MANNERS OF PAINTERS BASED ON THE WORDS OF SADEQ BEIK IN THE ESSAY OF QANUN-AL SOVAR
M SHAYESTEHFAR, S RAHIMI
ISLAMIC ART 7 (13), 7-24
|
