| YEAR |
TITLE |
| 2023 |
The Emotional and Symbolic Role of Color in Corpse Bride 2005
F Dorini, SN Amir Shahkarami, AH Nedaei
Journal of Fine Arts: Performing Arts & Music
|
| 2023 |
The mythical search for truth, Neoformalist analysis of the movie: The Event Day
J Mahrouz, AH Nedaei, MA Safoora
Quarterly Scientific Journal of Audio-Visual Media
|
| 2023 |
The Neoformalist Analysis of “The Fateful Day”
J Mahrouz, AH Nedaei, MA Safoora
Quarterly Scientific Journal of Audio-Visual Media 17 (46)
|
| 2023 |
A Comparative Study Of Narrative Style In Four Theories Of Screenwriting
AH Nedaei, S Morteza, MA Safoora
Journal of Literary Criticism 7 (13), 244-213
|
| 2022 |
“Othering” Mechanisms in the American TV Series Westworld (with a Focus
on the Ideals of the American Dream)
M Torabi Aghdam, AA Fahimifar, S Esfandyari, AH Nedai
Journal of Culture-Communication Studies 23 (58), 7-33
|
| 2022 |
A Comparative Study Of Narrative Style In Four Theories Of Screenwriting
AH Nedaei, S Morteza, MA Safoora
Journal of Literary Criticism
|
| 2020 |
Investigating the Narrative Characteristics of Postmodern Novels in
Movies (Case study
F Shahkolahi, AH Nedaei
HonarHa-Ye-Ziba: Honar-Ha-Ye-Namayeshi Va Mosighi 25 (3), 53-64
|
| 2020 |
A Comparative Study on Alcestis and Crazy Demerol Based on Immortality
Archetype
AH Nedaei, H Valipour Gharehghiyeh, N Ebrahimi Ghanemi
Journal of Literary Criticism 4 (7), 309-277
|
| 2020 |
A Semantic-Syntactic Examination of a Cinematic Genre, Case Study: The
Samurai Genre
MA Safoora, B Salim Alaqeband, AH Nedai
Asian Culture and Art Studies (Motaleat-e Farhang va Honare Asiya)
1 (1 …
|
| 2020 |
Social Functions of Samurai Film Genre from Ideologic and Ritual-Mythologic
approach
B Salim Alaqeband, MA Safoora, AH Nedai
HonarHa-Ye-Ziba: Honar-Ha-Ye-Namayeshi Va Mosighi 24 (4), 43-54
|
| 2018 |
Digital Technology and Its Effects on the Aesthetic of Expression in
Film
AH Nedaei, R Khanlari
Journal of Interdisciplinary Studies in Communication and Media
1 (2), 137-156
|
| 2018 |
The potential capacities of Taziyeh in Modern Imagism
AM Nedai, H Lezgi
Textual Criticism of Persian Literature 1 (1), 113-127
|
| 2016 |
A Study on Ritual Arts and Their Functions in the Film Spring, Summer,
Fall, Winter, and Spring
A Nedaei, N Alvandi, S Irani
|
| 2015 |
The Features of Iranian Advertising Character Creation
N Amini, AH Nedaee
Honar-Ha-Ye-Ziba: Honar-Ha-Ye-Tajassomi 20 (3), 71-78
|
| 2015 |
Identity building through the affect of singer on audience in TV music
video
AH Nedaei
Quarterly Scientific Journal of Audio-Visual Media 11 (26), 117-148
|
| 2013 |
A Comprative Study on Adaptation from Medea by Euripides (Case study:
Pier Paolo Passolini and Lars von Trier films on Medea)
AH Nedaei, E Agheli
|
| 2013 |
Failure of Animation Mass Production in Iran: a Production-Management
Approach in the Decade 1380-1390
A Langroudi, MA Safoora, AH Nedaei
HonarHa-Ye-Ziba: Honar-Ha-Ye-Namayeshi Va Mosighi 17 (2), 61-68
|
| 2012 |
Strategies to Promote the Iranian International Film Market
M Mohammadian, AH Nedaei, Y Giyahi
HonarHa-Ye-Ziba: Honar-Ha-Ye-Namayeshi Va Mosighi 3 (43), 33-40
|
| 2012 |
Developing strategies to promote the Iranian international film market
M Mohammadian, A Nedaei, Y Giyahi
Management Science Letters 2 (3), 869-876
|
| 2011 |
Dramatic Elements in The Storytelling with Picture (Pardeh-khani) as
a Multimedia Art
AH Nedaei, M Boskabady
HonarHa-Ye-Ziba: Honar-Ha-Ye-Namayeshi Va Mosighi 2 (41), 71-78
|
| 2011 |
The Islamic Art Functionalities in Music Video Based upon the Sample
Analysis of Two Iranian Videos
AH Nedaei
|
| 2011 |
THE SURVEY ON THE CARPET DESIGNS ESSENCE IN WESTERN ART AFTER THE RENAISSANCE
AH NEDAI, M TAKHTI
NAGHSH MAYEH 4 (8), 19-30
|
| 2008 |
THE CAPABILITIES AND FUNCTIONS OF TAZIYE IN MODERN VISUALIZATION: THE
STUDY OF TWO VERSIONS OF TAZIYE
SHA LEZGI, AH NEDAEI
JOURNAL OF LANGUAGE AND LITERATURE FACULTY OF LETTERS AND HUMANITIES
…
|
| |
The Content Value of the Line as a Visual Element in Cinematic Mise-en-scè
ne (Case Study: Asghar Farhadis Films)
M HADDADI, AH NEDAEI
JOURNAL OF THEORETICAL PRINCIPLES OF VISUAL ARTS
|
