| YEAR |
TITLE |
| 2011 |
Reflection of Configuration of two Social Phenomena on luster Ceramics
in Seljuk Era (The Appearance of Middle Class and Popular Art)
H NIKKHAH, M KHAZAIE, GALI HATAM, J NEYESTANI
MOTALEAT TARIKH FARHANGI (PEJUHESH NAMEH ANJOMAN-E IRANIYE TARIKH)
3 (9 …
|
| 2010 |
A Survey on the Structures and Motifs of Timurid Madrasehs in the Khorasan
Province
M Khazaie
ISLAMIC ART 6 (11), 59-78
|
| 2009 |
Decorative elements in the shrine of imamzadeh ismail of qom
M KHAZAIE, MG HOSSEINI
ISLAMIC ART 6 (12), 99-112
|
| 2006 |
The arabesque (islimi): Its formation and religious devotion in early
Islamic art of Persia
M Khazaie
GOYA, 131-+
|
| 2006 |
El arabesco (islîmî): Su formación y significado religioso en el primer
arte islámico de Persia
M Khazâie
Goya: Revista de arte, 131-142
|
| 2005 |
The source and religious symbolism of the arabesque in medieval islamic
art of Persia
M Khazâie
Central Asiatic Journal 49 (1), 27-50
|
| 2002 |
The Qur'an Manuscripts from Early Islamic Iran (10th to mid-13th AD)
M Khazaie
The International Journal of Humanities (The Journal of Humanities
|
| 1997 |
The arabesque motif (islimi) in early Islamic Persian art: origin, form
and meaning.
M Khazaie
The University of Birmingham
|
| |
TURKMEN RUG MOTIFS IN RENAISSANCE PAINTINGS: REFLECTIONS ON THE JOURNEY
OF TURKMEN MOTIFS FROM EAST TO WEST
M Shayestehfar, M Khazaie, R Khazaie, E Khazaie
|
| |
THE STATUS OF PERSIAN BOOK DESIGNERS IN TOPKAPI-SARAY ART WORKSHOPS,
ON THE BASIS OF OTTOMAN “EHL-I HIREF” DOCUMENTS OF THE SIXTEENTH CENTURY
F FAROKHFAR, M KHAZAIE, G HATAM
ISLAMIC ART 8 (15), 35-52
|
