In Qajar period, the era of the formation of urban fabric along with a rooted tradition close to the contemporary architectural era of Iran, specific motifs and decorative patterns were formed on the buildings, including flowerpots with scattered flowers that developed on all constructions of this era (the mosques, schools, palaces, and mansions), which were applied with assorted materials especially seven-color tiles.

For the first time in the modern cultural bio-world, the British political-cultural elites formed a multidimensional phenomenon of international exhibitions called The Crystal Palac Exhibition which led to new national-international readings. One of these readings was the opportunity for linking arts and politics – between the ability of reproduction of art work and the array and design of political forces. Considering this linkage, the present descriptive-explanatory research which is depending on reliable library, visual, and digital resources attempts to show how the arts were utilized in favor of the political goals of Britain. In order to answer this question appropriately, this research is undoubtedly trying to study the experience