Fa
  • Ph.D. (2015)

    Field of Art Research

    Department of Art& Architecture , Tarbiat Modares University, Tehran, Iran

  • M.A. (2009)

    Field of Art Research

    Department of Art, Alzahra University, Tehran, Iran

  • B.Sc. (2006)

    Field of Fashion& Textile Design

    Department of Art, Alzahra University, Iran

  • Middle East Cultural studies
  • The Visual Methods of Sustainable Development
  • Political Sociology of Art
  • Islamic Art

    Islamic Art (2015- ......)

    Contact

    Curriculum Vitae (CV)

    A Reading of Political Reproduction of Art at French World Expos

    Fahimeh Zarezadeh, Roghayeh Maleki
    Journal PaperJournal of Design Thinking , Volume 1 , Issue 1, 2019 January , {Pages 18-Jan }

    Abstract

    EXAMINING THE ORIGIN OF FLOWERPOT MOTIFS IN THE BUILDINGS OF QAJAR ERA.

    T Benisi, F Zarezadeh
    Journal PaperInternational Archives of the Photogrammetry, Remote Sensing & Spatial Information Sciences , 2019 May 8, {Pages }

    Abstract

    In Qajar period, the era of the formation of urban fabric along with a rooted tradition close to the contemporary architectural era of Iran, specific motifs and decorative patterns were formed on the buildings, including flowerpots with scattered flowers that developed on all constructions of this era (the mosques, schools, palaces, and mansions), which were applied with assorted materials especially seven-color tiles.

    Study of the lighting Effect on Displaying Creative Fashion Works of Contemporary Iranian Artists

    Mona Jahanpoor, Fahimeh Zarezadeh
    Journal PaperChideman Journal , 2018 January , {Pages 82-86 }

    Abstract

    Visual Analysis of the Martyrs of Mena Disaster Image

    Ghazal Taghikhani, Fahimeh Zarezadeh, Mohammad Khazaei
    Journal PaperScholarly Journal of Theoretical Principles of Visual Arts , Volume 2 , Issue 1, 2017 September 19, {Pages 12-May }

    Abstract

    Rereading Art and Politics in International Expos (Case Study: Crystal Palace Exhibition, London, Great Britain, 1851)

    Fahimeh Zarezadeh, Seyed Mostafa Mokhtabad Amreie, Zahra Rahbarnia
    Journal PaperThe Monthly Scientific Journal of Bagh-E Nazar , Volume 12 , Issue 33, 2015 June 1, {Pages 81-90 }

    Abstract

    For the first time in the modern cultural bio-world, the British political-cultural elites formed a multidimensional phenomenon of international exhibitions called The Crystal Palac Exhibition which led to new national-international readings. One of these readings was the opportunity for linking arts and politics – between the ability of reproduction of art work and the array and design of political forces. Considering this linkage, the present descriptive-explanatory research which is depending on reliable library, visual, and digital resources attempts to show how the arts were utilized in favor of the political goals of Britain. In order to answer this question appropriately, this research is undoubtedly trying to study the experience

    A Comparative Study of Psychological Form and Color with the Objectives of Primary Education in Designing of Student’s Clothes

    Noushin Safiyari, Aboulfazl Davoudi, Fahimeh Zarezadeh
    Journal PaperChideman Journal , 2013 January , {Pages 18-Dec }

    Abstract

    Foundations of Visual Arts in Motifs of Sassanid Textiles

    Farnaz Jalili, Fahimeh Zarezadeh
    Journal PaperChideman Journal , 2012 January , {Pages 42-45 }

    Abstract

    Imaginary figures with an approach to “Mi’raj-e-Mohammed” (The Messenger Ascent Tableau - by Soltan Mohammad)

    Fahimeh Zarezadeh, Mohammad Khazaei
    Journal PaperBook of Month: Art , 2012 January , {Pages 90-95 }

    Abstract

    Comparative Study of One Thousand and One nights' literary and Graphic symbols

    Fahimeh Zarezadeh, Parisa Shad Ghazvini
    Journal PaperJournal of Fine Arts , Issue 39, 2009 January , {Pages 55-63 }

    Abstract

    A Comparative Study of the Image of Women in the One Thousand and One Nights Book and the Painting of Sani'-ol- Molk

    Fahimeh Zarezadeh, Maryam Hosseini
    Journal PaperJournal of Women Research , Volume 1 , Issue 2, 2009 January , {Pages Jul-32 }

    Abstract

    Disclosure of Public Yazd Beliefs in the Symbolic role of Cypress

    Fahimeh Zarezadeh, Hasan Ali Pormand
    Journal PaperJournal of Visual& Applied Arts , 2009 January , {Pages 83-97 }

    Abstract

    COMMON INTERACTIONS BETWEEN THE CREATOR AND SPECTATORS OF THE S-ROW PALM

    FAHIMEH ZAREZADEH, ZAHRA RAHBARNIA
    Journal Paper , Volume 6 , Issue 11, 1 January , {Pages 43-58 }

    Abstract

    Sacred and ethical symbols are woven into the common culture of the people of a nation. Although there is no exact creator; one can sense the spirit of interaction between the creator and spectators of such traditions. Among these religious customs is the Sorrow Palm (Nakhl-e-Matam), a symbol of melancholy and sadness. The custom stems from the religious event of Ashura where the Sorrow Palm is paraded throughout the city in order to pay tribute to martyrs of Ashura.

    THE ANALVSIS OF REALISTIC CODES IN THE MANUSCRIPT OF ONE THOUSAND AND ONE NIGHTS

    FAHIMEH ZAREZADEH, GHAZVINI PARISA SHAD
    Journal Paper , Volume 5 , Issue 9, 1 January , {Pages 26-Jul }

    Abstract

    In their limited sense, images are a part of visual signs. The communicative value of each visual sign with another is of a particular agreement. Therefore, allegorical signs within an image, which demonstrate style and technique, gain importance. The main purpose of this paper is to clarify the practical allegoric codes of the manuscript of" One Thousand and One Nights" acknowledged as one of the masterpieces of the Qajar era by Sani-al Molk. In this manuscript, the artist endeavors to go beyond the visual appearances and express the truth of human beings and their relationship with their relationship with their surroundings and one another.

    Current Teaching

    • MS.c.

      Analysis and Critique of Islamic Artworks

    • MS.c.

      Ideation and Design in Persian Painting

    • Ph.D.

      Contemporary Persian Painting

    Teaching History

    • MS.c.

      Presentation and Implementation in Persian Painting

    • MS.c.

      Research Methodology

    • MS.c.

      Theoretical Studies in Persian Painting

    • 2019
      Alizadeh, Meisam
      Theoretical Project:A Comparative Study of the Visual Features of the Muraqqa\'s in Timurid and Safavid Periods(Case Study: Mir Ali Heravi and Mir Emad Hassani). Practical Project: Najwa of Zagros
    • 2021
      KHOSHNIATBAYATI, MEHRI
    • 2021
      Araghiefarahani, Fatemeh
    • Second Rank in the Country- In 14th Festival of Cultural Research of the Ministry of Culture and Islamic Guidance- 2015
    • The First Didactic Rank of 43 Faculty Members at the Faculty of Art& Architecture- Based on the Results of the Evaluation of the Students of Islamic Art Department, Tarbiat Modares University- 2017
    • Refereeing the articles of authentic and scientific-research journals and national-international conferences and Seminars
    • Refereeing books of Academic Publishing Centers
    • Member of the Scientific Committee of the First National Conference "Women, Employment and Resistive Economics", 27- 28 Feb. 2019, Tarbiat Modares University
    • Member of the Selection and Jury Committee of the Festival ?Creative Works of Women?s 6th District of Tehran?, 23- 24 Feb. 2019, Shahrdokht Cultural Center
    • Director of Event ?Experience the Artist?s Life?, 28- 29 Feb. 2019, Naqsh-e Jahan Art Research Center- Iranian Academy of the Arts

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